Right from the start it's clear that Helberg's stammering nerd Quinn is only with Lynskey's witty-thoughtful Devon because they've known each other so long. In a state of confusion, Quinn follows her there and is shocked to discover that she has already struck up a perhaps too-close friendship with handsome violinist Guillaume (Ebon Moss-Bachrach). So she moves to Paris to stay with family friends and get some perspective. Quinn's best pal Jameson (Zachary Quinto) isn't much help, and soon Devon has had enough with Quinn's sudden distance. But this thought sparks a doubt in his mind, which is fanned into a flame when his sexy work colleague Kelsey (Maggie Grace) confesses that she has a crush on him. He's only ever had one girlfriend, Devon (Melanie Lynskey), and after 10 years together feels like it's time to propose. Helberg plays Quinn, a 28-year-old hypochondriac who works as a florist, afraid to pursue his desired career as a jazz musician. Streep's performance soars through the performance scenes, but is just as powerful in the comedy and at moments when Florence is vulnerable and nervous.Ĭontinue reading: Florence Foster Jenkins Review And those who don't applaud are laughing so heartily that surely they're just as entertained. She imagines she sounds like her operatic idols, so can't hear the strangled notes coming from her mouth. Streep's enjoyment of the role is infectious, and she makes Florence sympathetic by letting us see her yearning to sing. Writer Nicholas Martin and director Stephen Frears construct the story beautifully, building up to reveal Florence's voice in a painfully hilarious sequence that's expertly played by Streep, Grant and Helberg. But when she books Carnegie Hall to perform a concert for troops returning from Europe, St Clair realises that he can't protect her from a real audience. Florence doesn't really mind that St Clair has a woman (Rebecca Ferguson) on the side. So at her parties, Florence puts on performances for her friends, oblivious to the fact that she's riotously off-key, while St Clair plays the doting husband, protecting her from criticism and hiring talented young pianist Cosme McMoon (Simon Helberg) as her accompanist. Both of them are frustrated artists: Florence sees herself as an opera diva, while St Clair never quite made it as an actor. Streep shines as Florence, a socialite who hosts lavish parties in 1944 New York with her husband St Clair (Hugh Grant).
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